Arquitecto Proyecto: Andrés Jaque Architects & the Office for Political Innovation
Dirección de Obra: Andrés Jaque Architects & the Office for Political Innovation
Colaboradores: Ruggero Agnolutto (Project Responsible) Fernando Arocha, Ángela Bailén, Almudena Basabe, Elisa Bua, Álvaro Carrillo, Catalina Corredor, Roberto González García, Michal Just, Jorge López Conde, Marco Marcelletti, Paola Pardo, Khristian Serena, Patrycja Stal, Dagmar Stéeova, Silvie Talackova
Instalaciones: Juan Carlos Lafuente, Álvaro Zamora
Otros Consultores: SOCIOLOGICAL RESEARCH Silvia Rodríguez
Localización: Madrid, SPAIN
Cliente: Matadero Madrid
Agrosocial infrastructure to grow crops of voice-equipped citizens By ANDRÉS JAQUE ARCHITECTS & THE OFFICE FOR POLITICAL INNOVATION ESCARAVOX are assemblages of discarded rural infrastructures, reprogrammed as voice-giving-publicdevice. The aim of this project is to endow Matadero Madrid, former slaughterhouse of the city and now an institution self defined as “public space for contemporary culture, with views on the river”, with the necessary material devices and institutional protocols to prompt a connection between the aforementioned models of intervention in the cultural field.
To achieve this, the scheme proposes equipping the open spaces of the old abattoir with varied types of large-span mobile structures with sound amplifying systems, stage lighting and audiovisual projection systems, so that in combination with sliding stands, they may serve as auxiliary structures for any public performance held in this space. The use of these facilities would be organized in the same way as municipal tennis courts, which are booked by the hour. The materiality of the infrastructure is based on the idea of an odd assemblage of already inexpensive elements. Irrigating systems, Almería greenhouse fabrics, cheap plastic chairs… A short of composite of ready mades, using existing technologies in a different way of that they were produced for. It is a technological reapropiation process, the office relates with the possibility of queer uses of available systems.
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Currently, the office works on projects for Thyssen Bornemisza Art Contemporary, Art Institute of Chicago, Lafayette Anticipations, CA2M, Real Madrid, Colegio Reggio, and Grupo La Musa.
In 2016, OFFPOLINN received the Frederick Kiesler Prize from the City of Vienna; the office has also been awarded the SILVER LION for Best Research Project at the 14th Venice Biennale and with the Dionisio Hernández Gil Award.
OFFPOLINN’s projects have been the object of solo exhibitions at MoMA, MoMA PS1, MAK Vienna, Princeton University, RED CAT Cal Arts Contemporary Art Center in Los Angeles, the Cité de l’Architecture et du Patrimoine de Paris, and Tabacalera in Madrid. Its work has been included in exhibitions at the Art Institute of Chicago, ZKM (Karlsruhe), Tel Aviv Museum of Art, London Design Museum, Whitechapel Gallery (London), Z33 (Hasselt), the Schweizerisches Architektur Museum (Basel), Lisbon and Oslo architecture triennales, and the Venice, Chicago, Gwanju, and Seoul architecture biennales.
OFFPOLINN’s work has been published in the most important architectural design outlets including A+U, Bauwelt, Domus, El Croquis, The Architectural Review, Abittare, Arquitectura Viva, and in publications like the New York Times, Wall Street Journal, the Guardian, and El País.
Andrés Jaque founded the Office for Political Innovation in 2003. He has brought a transectional approach to architectural design; practicing architecture as the intervention on complex composites of relationships, where its agency is negotiated with the agency unfold by other entities.
Andrés Jaque is director of the Advanced Architectural Design Program at Columbia University Graduate School of Architecture, Planning and Preservation. He has also been visiting professor at Princeton University and The Cooper Union.
Andrés received his PhD in architecture from the Escuela Técnica Superior de Arquitectura de Madrid, where he also received his M. Arch. He has been an Alfred Toepfer Stiftung’s Tessenow Stipendiat and Graham Foundation grantee. In 2018 he co-curated Manifesta 12 in Palermo.
His books include Transmaterial Politics (2017), Calculable (2016) PHANTOM. Mies as Rendered Society (2013), Different Kinds of Water Pouring into a Swimming Pool (2013), Dulces Arenas Cotidianas (2013), Everyday Politics (2011), and Melnikov. 1000 Autos Garage in Paris 1929 (2004). His research work has been included in publications like Perspecta, Log, Thresholds and Volume.
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