Spanish Pavilion at the Venice Architecture Biennale 2018

becoming, the motto chosen for the Spanish Pavilion in
this edition of the Venice Biennale 2018, presents Spanish
architecture as seen from learning environments, by means of
actions, discourses and pieces of work developed by a
wonderful set of architects that during the last years have
questioned the limits and conditions previously assumed by our
discipline.
becoming by means of a critical approach put into practice,
discovers the complexity of our operational logics, in an open
intellectual experience where students cook up their
conflicts.
becoming understands the curatorial project as a research
project and the Venice Biennale as an opportunity to confront
concepts and ideas, where the pavilion becomes an invitation
to go over the basis of architectural practice and what is
going on in our planet.
becoming is built via the means of 55 terms that relate to
architecture: not the architecture of the future but the one
of the present; an alternative present which explores new ways
of carrying out the profession, with different formats,
interests and emerging topics which require other tools, other
capacities and other ways of looking at them
becoming draws on the floor these 55 adjectives which
spatially organize the works tattooed on the walls of the
regained pavilion, currently empty, transformed by Vaquero
Palacios in 1952. With no hierarchical order, no categories
and from all the different scales at the same time, the 435
selected contributions by a board of experts via a public open
call, are placed by closeness and affinity, sharing issues of
concern and ways of being in the world.

becoming turns the pavilion into a freespace that can be read
as a data base or as an immersive landscape where each visitor
chooses his/her speed and his/her way through the material
space and the virtual one. (b-e-c-o-m-i-n-g.com)
The Biennale comes to an end, but becoming continues; it
remains on the internet and in the garden at the rear end of
this small pavilion, created by all of us, during the next six
months.


.360 VIDEO

Comisaria del Pabellón de España en la Bienal
de Arquitectura de Venecia 2018
Curator at the Spanish Pavilion for the 16th International Architecture Exhibition
La Biennale di Venezia 2018

Atxu Amann

Comisarios Adjuntos Curatorial Team
Andrés Cánovas, María Mallo, Nicolás Maruri
y Gonzalo Pardo

Imagen y pabellón virtual Image and virtual pavilion
bestiario

Equipo de diseño Design Team
gráfica futura + Ioannes Busca
+ Open this end + Temperaturas Extremas
Intervención exterior Outdoors Intervention
Ana Matos, Iñigo Ocamica, Antonio Samaniego
e Iñigo Tudanca

Participantes Participants

Estudiantes de entornos educativos españoles
(2012-2018)

Equipo de expertos Expert Commitee
Alberto Alarcón, Eva Álvarez, Irma Arribas,
Uriel Fogué, Manuel Gausa, Andrés Jaque,
María Langarita, José Morales, Enrique Nieto,
Guadalupe Piñera, Almudena Ribot
y Juana Sánchez

Colaboradores Collaborators
After Belonging, Victoria Acebo, Carlos Arroyo,
Pedro Astigarraga, José Ballesteros, Maite Borjabad,
Nerea Calvillo, Iñaki Carnicero, Izaskun Chinchilla,
Raquel Congosto, Juan Domingo Santos, Javier Echeverría, Alberto Estévez, Guillermo Fernández Abascal, Jacobo Gª-Germán, Susana García Bujalance, Paula García Masedo, Andrea González, María José Ferrero Ibargüen, Juan Herreros, Manuel Jiménez, Amparo Lasén, MAIO, Josep Maria Montaner, Nacho Martín, Vicente Monroy, Paula Montoya, Zaida Muxi, Alberto Nanclares_Basurama, n’UNDO, Manuel Ocaña, Manuel Pascual_Zuloark,
Ana Peñalba, José Pérez de Lama, Pedro Pitarch, Carlos Quintans, Sampling Contexts (Begoña de Abajo Castrillo, Enrique Espinosa Pérez, Carlos García Fernández, Eva Gil Lopesino, Ángela Juarranz Serrano, Álvaro Martín Fidalgo
y Borja Sallago Zambrano), Renata Sentkiewicz, Ter, Eduardo Vivanco y Remedios Zafra

Gestión de contenidos Content Management
Luis Álvarez, Kiara Firpi, Alba González, David J. Iniesta, Elena M. Millana, Aida Red y Fernando Segovia

Traducción Translation
Ángela O’Driscoll

Fotografía y video Photography and video
imagen subliminal
Music: Revolution Void

Comunicación y medios Media
Paty Núñez Agency

Producción Production
Clorofila Digital, Pellisa Ràfols y Nuonled

Con el apoyo de Supporters
Sika, Don Apolonio, Pata Negra, La Española, Don Simón, Auara , Kriskadecor, Ecoluciona, Elisa Tomat, Jaulas abiertas, Cosentino y Constructora San José

Agradecimientos Acknowledgments
Kirssy Vasquez, Pablo Bes, Laura Luengo, Sara Miguélez,
Franco Longo, Inés Maruri, Andrés Rubio y Fabio Tentellini

Architects: Various, gon

anon

 

www.gon-architects.com
info@gon-architects.com

Conde de Xiquena, 7, 3º Planta
28007, Madrid, SPAIN

gon is an architecture office headed by Gonzalo Pardo. His practice focuses on the research and development of multi-scale projects whose common denominator is a ludic, experimental, critical, and optimistic point of view of contemporaneity. Its interests focus on the creative processes of architectural design and construction, but also on the role that mediation and communication play in architecture as fundamental vehicles for transforming the world into a more sustainable, dignified, and free place.

Gonzalo Pardo graduated as an architect from ETSAM and holds a PhD cum laude since 2016. His doctoral thesis “Body and House. Towards the contemporary domestic space since the transformations of the kitchen and the bathroom in the West” was also awarded the Extraordinary Prize of Doctoral Thesis 2016-2017, and an honorable mention at the XI Contest of the Thesis Contest of Arquia Foundation.

Associate Professor in the Department of Architectural Projects at ESTAM, since 2007 he teaches at different universities and institutions covering different subjects related to the process of architectural design. Deputy Commissioner of the Spanish pavilion at the 16th Venice Biennial, he has won 41 national and international awards since 2000, including the first prize for the renovation of the AZCA block in Madrid in 2007; the second prizes in the international skyscraper competitions in New York and Velux in Denmark in 2007; COAM prize in 2004 for the curatorial cycle Paréntesis, and Runner-Up price in Europan 14 competition at Barcelona site.