ARE WE HUMAN? : The Design of the Species : 2 seconds, 2 days, 2 years, 200 years, 200,000 years
Curated by Beatriz Colomina and Mark Wigley.
Designed by Andrés Jaque / Office For Political Innovation
(Laura Mora, Roberto González, Paola Pardo, Marta Jarabo, Isabel Sánchez, Danay Kamdar, Pablo Maldonado, Solé Mallol, Valentina Marín). Structural Consultants: Mechanism
Princeton University. School of Architecture
A galaxy of designers, architects, artists, theorists, filmmakers, historians, scientists, labs, centers, institutes, and NGOs respond to ARE WE HUMAN? manifestó. The entire School of Architecture building will be filled with a dense collage of overlapping provocations on the question ARE WE HUMAN?
Art meets science meets reflection meets speculation in a new kind of conversation about design. The exhibition thinks about the fact that the human is unique in its capacity to design but is also continuously redesigning itself in a never ending loop that flings it into the world in unexpected ways. The human is a question mark and design is simply the way of engaging with that question.
Every participant scrutinizes the human from a different angle. Unspoken by Diller Scofidio + Renfro explores Darwin’s observation that only humans blush. Forensic Architecture considers the question of whether orangutans should be granted human rights. Orkan Telhan offers his Microbial Design Studio, an inexpensive automated and networked countertop biofabrication machine to design, culture, and test genetically modified organisms. Laura Kurgan changes architectural thinking to the scale of the neuron and leading brain scientists from the Seung Lab at Princeton University and the Zuckerman Institute at Columbia University present the latest thinking about the brain as both the mechanism of design and a plastic architecture that is redesigned even by thoughts. MOS Architects wrap space with an army of unemployed scale figures. And many more. This array is supplemented by installations on The Unstable Body, Are We Normal?, Homo cellular, and Design in 2 Seconds — prepared by the curatorial team and a joint team of Princeton and Columbia University students.
The overall effect is a kaleidoscope of artistic, technical, philosophical, theoretical, and ethical reflection on the intimate relation between «design» and «human.»
Exhibition participants include Diller Scofidio + Renfro, Eyal Weizman and Forensic Architecture, Hito Steyerl, Marshmallow Laser Feast, MOS Architects, Armin Linke, Philipp Meuser, Galina Balashova, Francois Dallegret, Center for Land Use Interpretation, Laura Kurgan, Orkan Telhan, Lu Yang, Tom Keenan and Sohrab Mohebbi, Lorenzo Pezzani, Common Accounts, Daniel Eisenberg, Juan Herreros, Amy Robinson Sterling, Sebastian Seung, Lucia Allais, Joyce Hsiang and Bimal Mendis, Lydia Kallipoliti and Andreas Theodoridis, Ali Kazma, Axel Kilian, Spyros Papapetros, V. Mitch McEwen, and Universal Space Program.
43-01 21st Street
LIC, New York
(+34) 910 572 163
Calle Arriaza 6
28008, Madrid, SPAIN
Currently, the office works on projects for Thyssen Bornemisza Art Contemporary, Art Institute of Chicago, Lafayette Anticipations, CA2M, Real Madrid, Colegio Reggio, and Grupo La Musa.
In 2016, OFFPOLINN received the Frederick Kiesler Prize from the City of Vienna; the office has also been awarded the SILVER LION for Best Research Project at the 14th Venice Biennale and with the Dionisio Hernández Gil Award.
OFFPOLINN’s projects have been the object of solo exhibitions at MoMA, MoMA PS1, MAK Vienna, Princeton University, RED CAT Cal Arts Contemporary Art Center in Los Angeles, the Cité de l’Architecture et du Patrimoine de Paris, and Tabacalera in Madrid. Its work has been included in exhibitions at the Art Institute of Chicago, ZKM (Karlsruhe), Tel Aviv Museum of Art, London Design Museum, Whitechapel Gallery (London), Z33 (Hasselt), the Schweizerisches Architektur Museum (Basel), Lisbon and Oslo architecture triennales, and the Venice, Chicago, Gwanju, and Seoul architecture biennales.
OFFPOLINN’s work has been published in the most important architectural design outlets including A+U, Bauwelt, Domus, El Croquis, The Architectural Review, Abittare, Arquitectura Viva, and in publications like the New York Times, Wall Street Journal, the Guardian, and El País.
Andrés Jaque founded the Office for Political Innovation in 2003. He has brought a transectional approach to architectural design; practicing architecture as the intervention on complex composites of relationships, where its agency is negotiated with the agency unfold by other entities.
Andrés Jaque is director of the Advanced Architectural Design Program at Columbia University Graduate School of Architecture, Planning and Preservation. He has also been visiting professor at Princeton University and The Cooper Union.
Andrés received his PhD in architecture from the Escuela Técnica Superior de Arquitectura de Madrid, where he also received his M. Arch. He has been an Alfred Toepfer Stiftung’s Tessenow Stipendiat and Graham Foundation grantee. In 2018 he co-curated Manifesta 12 in Palermo.
His books include Transmaterial Politics (2017), Calculable (2016) PHANTOM. Mies as Rendered Society (2013), Different Kinds of Water Pouring into a Swimming Pool (2013), Dulces Arenas Cotidianas (2013), Everyday Politics (2011), and Melnikov. 1000 Autos Garage in Paris 1929 (2004). His research work has been included in publications like Perspecta, Log, Thresholds and Volume.